Antonio Vivaldi’s opera Orlando is based on the epic Orlando furioso (1516/1532) by Ludovico Ariosto, which also served as source for his operas Ariodante and Alcina (both in 1735) and which became the Legend of Roland later on. The historic background can be found in Charlemagne’s military campaign against Spain’s Saracens, which came to its bloody climax in 778 at Roncesvalles.
Ariosto’s Orlando furioso extends the Legend of Roland to include not only colorful mythical creatures, ficticious persons and imaginary stories, but also the noble Paladin’s love delirium resulting from his unanswered love for Angelica, Queen of China. In contrast to Ariodante and Alcina, which only deal with certain portions of Ariosto’s Orlando furioso, Handel’s Orlando refers to the main theme of the literary original, without citing it verbatim.
Orlando: Yuriy Mynenko
Alcina: Giuseppina Bridelli
Bradamante: Sonja Runje
Ruggerio: Tim Mead
Angelica: Arianna Venditelli
Medoro: Ray Chenez
Astolfo: Jose Coco-Loza
Dirigent, Cembalo: Francesco Corti
Orchester: Il Pomo d’Oro
Regie: Marco Bellussi
Bühnendesign: Matteo Paoletti Franzato
Kostüme: Elisa Cobello
Licht: Marco Cazzola
Video: Fabio Massimo laquone
Coro dell’Accademia del Santo Spirito
Orlando: Max Emanuel Cencic
Alcina: Vivica Genaux
Bradamante: Sonja Runje
Ruggiero: Nicholas Tamagna
Angelica: Julia Lezhneva
Medoro: Philipp Mathmann
Astolfo: Sreten Manojlović
Musical Direction: George Petrou
Orchestra: Armonia Atenea
